Once resident of kbin.social (long live that raft). now permanent settlin’ traveler across the Fediverse.

Current interests and hobbies: archiving, scenescapes, rhythm games, wiki curation, analog synths, Touhou Project, making traditional and digital art, sound design.

Also a committed LGBTQ+ ally and cautious optimist.

  • 18 Posts
  • 16 Comments
Joined 1 year ago
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Cake day: August 22nd, 2024

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  • Touhou 8: Imperishable Night.

    I earned my first-ever 1CC there three days ago, on the Easy difficulty (ignoring the perennial “easy modo” memes within the games’ fandom), and slowly but surely, I’m learning both the fundamentals and the strategies towards passing various stages and spellcard patterns; hopefully, with enough practice, patience, and a bit of foresight, I can move up and do another 1CC on Mormal (both Finales), either with the Border or Netherworld team.

    As for everything else, I found myself enthralled with the lore, story, and the music in this game, as if it were timeless, in a way. I’d say I like Eirin’s boss theme the most, befitting for someone who’s lived through time and knows everything diligently.





  • Still on Touhou 8 (Imperishable Night), and then, vivid/statis, of which its latest tournament quarterfinals tiebreaker just came out and I was far no less impressed with how I managed to almost teeter on gaining any Fails on the Middle Chart, just a few Goods, due to my laptop sometimes overloading on RAM while the application’s running.

    As for the former, I’ve been taking small steps on figuring out routes for Keine’s second spell card attack on Normal Difficulty; on Easy, my new run-ender’s on Reisen’s second spell card attack, where shotgun bullets fade in and out whenever those blood red eyes periodically flash.


  • For what it essentially entails, Analog Obsession’s busterSE does quite a bangin’ job at being a analog-style stereo compressor, with the ability to tilt whatever part of the frequency spectrum you wanna have spread out, in spite of its limitations on the surface. Kicks, snares, pads, even the entire mix, you name it.

    Of second, yet equal, mention, is ChowDSP’s Chow Tape Model. which I’ve found so far to be both versatile and not that CPU-hungry. not only at those tape-esque warm flavors, but also at aiding modern, multigenre music compositions. I use them both, or either one of them, depending on the situation, and both are forever free high-quality.












  • Don’t worry, though; no matter what happens afterward, this hub of ours’ here to stay, as an alternate local coffee shop, now run by us fellow customers and curators!

    Siyanga pala, pareho rin akong Jup mula sa ngayo’y-lubog nang kbin.social, sa mga hindi pa nakakilala rito ehehehe ;D