Ah wow. I recognize it now.

Aaaaaaah!

Wasn’t there a north korean OS that would perfectly fill the upper left space?

Death Noted?

I guess ill also wait for first reviews. Still want to have a good experience even though I want to support the devs.

Hm not sure. I wasn’t able to resize the color picker window. If I’d paint uvs by hand I wouldn’t be able to pick subtle color differences with that size…

I tried to like abiotic factor, but my friend and I always got lost. It was really frustrating at some points.

Absolutely agree that architecture has to be functional and convenient. But we shouldn’t be so fast to exclude aesthetics. It plays a major part in well-being. Of course, it’s more important to have housing at all. However, comfortability is not restricted to usability only but should also tickle our neurons.

That does it! I’m not gonna eat some nasty AI.

Oh that makes sense. I wanted to bake them in the oven but most of them had this kind of pattern. They weren’t smelly or anything and had a normal consistency.

Oh my bad! Apparently, i don’t know how to spell potatö

Huh,I hear the rattling noise of iron chains… must be the wind.

A little hint of love :)

There is a certain ratio of carbohydrates to fat that stops us from being able to control how much we eat. (50:35 carbohydrates to fat) plus salt, flavour enhancers and whatever sells the product…

Gouache can be lifted of the canvas because it has some chalk like texture. But it depends on the paper quality, how often you could do that.

Nonetheless this is still a lot more difficult than digital.

Glad I could help.

That is true, and I get that it should be simple for children. But that doesn’t mean that the foundation has to be incorrect.

Just using the simplified version of a correct layout like I showed you should be the way to go in this case.

Of course, most people won’t need to know what’s colorsystems there are. Itten is none of the less still teached by artschools even though it is this incorrect simplified version of a color space. At that advanced stage, there is no need to stick to a simplified version, let alone a one that doesn’t lead to correct results.

Ittens model is just a remnant of its time. And it keeps being shared because of that simplification. But hey, that how history sometimes goes.

Sure. Colors are a huge topic and I’m not a physicist. There are a lot of colorsystems, and I probably don’t know half of it, but I try to break it down.

There is no real “normal” colormodel. We just sort colors on a chart that fits our needs the best.

The color model you will see most often is, for instance, in Photoshop the HSV model. (Hue, saturation, value). It’s good but has its own flaws with the color brightness.

In Ittens and Munsells case, you can see a small difference in the colors that are opposite of each other, in both colorwheels. In munsels case, yellow is opposed to indigo. In ittens case yellow is opposed to violet.

itten

Munsell

That’s a small but significant difference. Opposing colors should combine into grey and not into other colors. In ittens case they don’t.

(Upper is correct, lower is Itten)

Munsell is closer to a perceptive color space that takes into consideration that colors have different value and chroma levels, and vivid yellow is brighter than a vivid indigo.

Itten only used the flat ring model and lost the value and brightness of colors.

Now I compare those two because they are from the same time period, and Ittens model even came a little later.

Munsells color model even holds today.

Ich habe es nie so richtig verstanden, warum man als Arbeitgeber überhaupt das Interesse hätte, die leute Krank zur Arbeit kommen zu lassen. Es gehen einem doch deutlich mehr Arbeitsstunden flöten, wenn alle sich gegenseitig anstecken.

Itten

Munsell

The colormodel of munsell, for example, takes into account that some light waves have the same energy, they are experienced in a different brightness. >Helmholz-Kohlrausch effect

The Color model is dependent on what you want to do with it but in Ittens case, it doesn’t even help with pigment mixing nor as a perceptual representation.

Fun fact:

OKLab which was created recently by Björn Ottosson as a hobby project, is a pretty accurate perceptual colorspace. It is open Source and has been adapted by Photoshop for Black and White conversion.

I kinda hope painting apps will also impliment it as a standard model for colopickers.